GRAM & Ox-Bow Summer Lecture Series: Brendan Fernandes and Soo Shin

Saturday, Aug 23, 2025
11:00 am — 12:00 pm

Join GRAM and Ox-Bow for a lecture with artist Brendan Fernandes and inter­dis­ci­pli­nary artist Soo Shin exploring their time at the Ox-Bow School of Art & Artists’ Residency.

Each summer, Ox-Bow School of Art & Artists’ Residency hosts a series of distinguished visiting artists, art historians, and critics as part of their summer program, including academic courses and residencies. In this partnership between GRAM and Ox-Bow, our community is invited to hear from some of these extraordinary artists while they are working in West Michigan.

Registration coming soon.

Location
Auditorium
Contact

For more information, contact Visitor Services at 616.831.1000.

Cost
Free for Members | Included with museum admission for non-members

Meet the Artists

    Brendan Fernandes is an internationally recognized Canadian artist working at the intersection of dance and visual arts. Currently based out of Chicago, Brendan’s projects address issues of race, queer culture, migration, protest and other forms of collective movement. Always looking to create new spaces and new forms of agency, Brendan’s projects take on hybrid forms: part Ballet, part queer dance party, part political protest…always rooted in collaboration and fostering solidarity. Brendan is a graduate of the Whitney Independent Study Program (2007) and a recipient of a Robert Rauschenberg Fellowship (2014). In 2010, he was shortlisted for the Sobey Art Award, and is the recipient of a prestigious 2017 Canada Council New Chapters grant.

    Brendan is also the recipient of the Platform Award (2024), the Artadia Award (2019), a Smithsonian Artist Research Fellowship (2020) and a Louis Comfort Tiffany Foundation grant (2019). His projects have shown at the 2019 Whitney Biennial (New York); the Solomon R. Guggenheim Museum (New York); the Museum of Modern Art (New York); The Getty Museum (Los Angeles); the National Gallery of Canada (Ottawa); MAC (Montréal); among a great many others. He is currently Associate Professor in the Department of Art Theory and Practice at Northwestern University and is represented by Monique Meloche Gallery in Chicago and Susan Inglett Gallery in New York. Recent and upcoming projects include performances and solo presentations at the Pulitzer Arts Foundation, St. Louis, MO; The MCA Denver, Denver, Colorado; The Fabric Workshop, Philadelphia, PA; Remai Modern, Saskatoon, CA; and Munch Museum, Oslo, Norway.

    Soo Shin is an inter­dis­ci­pli­nary artist based in Chicago, IL. Shin employs a diverse range of materials — ceramic, brass, concrete, wood, and seawater — to evoke themes of connection, spatial displacement, and longing. She is the recipient of the fellowship at Djerassi Artist Residency, Woodside, CA; the individual artist grant at the Illinois Arts Council; and the Vilcek Foundation fellowship at MacDowell Artist Residency. Shin’s work has been presented at The Luminary, St. Louis, MO; PATRON Gallery, Chicago, IL; Goldfinch Gallery, Chicago, IL; Chicago Manual Style, Chicago, IL; LVL3, Chicago, IL; and Chicago Artist Coalition, Chicago, IL among others.

    She has completed residencies at the John Michael Kohler Arts Center; Massachusetts Museum of Contemporary Art, North Adams; Vermont Studio Center; Art Farm, Marquette, NE; and Ox-box, Saugatuck, MI. She earned a Master’s in Fine Arts from the School of the Art Institute of Chicago, a Master’s in Fine Arts, and a Bachelor of Fine Arts from the Ewha Womans University, Seoul, South Korea.

In Partnership With

Ox-Bow School of Art & Artists’ Residency, located in Saugatuck, Michigan, connects artists to a network of creative resources, people, and ideas, an energizing natural environment and a rich artistic history and vital future. It offers a wide range of opportunities for artists at all stages in their career, with year-round programs that cater to degree-seeking students, professional artists, and those new to the field. Ox-Bow is a protected place where creative processes break-down, reform, and mature. 

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Supported by

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