Images: Julie Green, The Last Supper [California 17 January 2006], 2006, paint on found ceramic plates, diameter: 10 in. Crystal Bridges Museum of American Art, Bentonville, Arkansas, Gift of The Last Supper Irrevocable Trust, 2023.6.
Gary Tyler, Hope, 2023, Quilting Fabric, Thread, Paint and Batting, 38 x 38 in. Photo Courtesy of the artist and Library Street Collective
Ray Materson, The House on York Road, 1995, Sock threads, 5 x 3 ½ inches. Courtesy of Doug Robsonand
Grand Rapids Art Museum Presents Three Landmark Exhibitions Exploring Creativity, Craft, and the Human Experience of the American Criminal Justice System
Significant presentation brings together Julie Green’s complete series ‘The Last Supper,’ Gary Tyler’s first major museum exhibition, and a career survey of Michigan Artist Ray Materson to examine the resilience of creativity under extraordinary circumstances
GRAND RAPIDS, Mich., Sept. 2, 2026 — This fall, the Grand Rapids Art Museum (GRAM) presents an ambitious exploration of artistic practices that emerged from or respond to the American criminal justice system. Opening October 3, 2026, three major solo exhibitions—Julie Green: The Last Supper; Gary Tyler: Rebirth; and Ray Materson: Metamorphosis—bring together works made from painted ceramics, quilting, and embroidery, revealing how artistic practices can foster resilience, preserve dignity, and advocate for people across the penitentiary system.
While each exhibition stands independently, the presentations bring together three artists whose practices emerged from remarkably different circumstances. Together they present creative visions from: an artist who spent more than two decades documenting death row executions from outside the prison system (Julie Green); an artist who turned to quilting as a means of creative expression while enduring more than four decades of wrongful incarceration (Gary Tyler); and an artist whose distinctive embroideries began while serving a prison sentence and have continued to evolve following his release (Ray Materson).
“The wide range of experiences and creative approaches between these artists have a powerful resonance,” shared Jennifer Wcisel, the Dean and Helga Toriello Curator of Collections and Exhibitions at Grand Rapids Art Museum. “Bringing together Ray Materson and Gary Tyler’s unique textile techniques alongside Julie Green’s tributes to victims of death row, these presentations illustrate how making art out of commonplace materials can provide a sense of purpose and means of survival under vastly different circumstances. We’re honored to present their work at the Grand Rapids Art Museum and introduce these important voices to new audiences.”
“These exhibitions ask visitors to slow down and look closely — not only at the craftsmanship of each work, but also at the stories they hold,” said Terra Warren, Associate Curator at Grand Rapids Art Museum. “Each artist demonstrates the possibility of a creative practice in humanizing those within and affected by the American criminal justice system. Seeing these works together encourages us to appreciate their experiences, creative impulses, and the shared commitment to making.”
Julie Green: The Last Supper
October 3, 2026 – October 24, 2027
The Grand Rapids Art Museum will become only the second museum to present Julie Green’s complete installation of The Last Supper, a monumental project comprising nearly 1,000 hand-painted ceramic plates created over twenty-two years. Beginning in 1999 and continuing until their death in 2021, Green painted the final meals requested by individuals executed on death row across the United States, creating one of the most sustained artistic examinations of capital punishment in contemporary American art.
Working on found ceramic plates, Green’s paintings elevate ordinary meals into records of individual lives. Rather than depicting those sentenced to death, the artist allows the intimate details of food — hamburgers, birthday cake, lobster, or a simple cup of coffee — to evoke memory, regional identity, and shared humanity. Presented across hundreds of plates hung salon-style, these modest images become a powerful visual archive that asks viewers to contemplate the human realities behind systems of punishment while bearing witness to each life lost.
The exhibition takes on added resonance alongside Gary Tyler: Rebirth. Tyler, who spent decades on Louisiana’s death row before his wrongful conviction was overturned, recognized many of the individuals memorialized in Green’s installation from his own years incarcerated. Their parallel presentations establish a compelling dialogue between Green’s artistic act of remembrance and Tyler’s lived experience within the prison system.
Julie Green’s The Last Supper is generously lent by Crystal Bridges Museum of American Art as part of Art Bridges’ Partner Loan Network. Presenting support is provided by Eenhoorn, LLC.
Gary Tyler: Rebirth
October 3, 2026 – January 3, 2027
Rebirth marks the first major museum exhibition dedicated to the work of acclaimed textile artist Gary Tyler, whose artistic practice developed during more than forty years of wrongful incarceration. Arrested at sixteen and sentenced to death before ultimately spending decades at Louisiana State Penitentiary — the largest maximum-security correctional facility in the United States, nicknamed the “Alcatraz of the South” — Tyler taught himself quilting while imprisoned to support the Angola Hospice Program, which provides comfort to dying inmates. There, he transformed traditional textile techniques into a powerful visual language rooted in memory, resilience, and renewal.
Bringing together recent quilts and new commissions, Rebirth presents Tyler’s work as a significant contribution to contemporary American textile art. Drawing upon African American quilting traditions while incorporating deeply personal narratives, his richly composed works depict family histories, Southern landscapes, animals, gardens, and moments of joy alongside reflections on incarceration and freedom. His vibrant colors and craftsmanship reveal an artist whose work consistently resists being defined solely by injustice.
By positioning Tyler’s quilts within broader histories of African American artistic traditions and contemporary art, Rebirth establishes his long-overdue place within the national conversation surrounding textile practice while demonstrating how creative expression can sustain identity under extraordinary circumstances.
Michigan Artist Series | Ray Materson: Metamorphosis
October 3, 2026 – January 3, 2027
Metamorphosis offers the most comprehensive museum survey of the work of Michigan artist Ray Materson, whose intricate embroideries have earned national recognition for their technical virtuosity and deeply imaginative subject matter. Working with threads painstakingly unraveled from ordinary socks — a technique he developed while serving a prison sentence in the late 1980s — Materson creates miniature embroidered scenes of extraordinary complexity that blur the boundaries between embroidery, painting, and drawing.
Spanning more than three decades of the artist’s career, the exhibition traces the evolution of Materson’s practice from works created during incarceration to recent embroideries exploring literature, folklore, portraiture, and Americana. Rendered at an intimate scale, the works reward sustained looking while revealing an artist continually pushing the expressive possibilities of embroidery as a fine art medium.
Although Materson’s practice originated during incarceration, Metamorphosis demonstrates that his artistic achievement extends far beyond its beginnings. The exhibition — presented as part of GRAM’s Michigan Artist Series — positions him as one of Michigan’s most accomplished contemporary artists, whose singular technique and expansive visual imagination have transformed an unconventional material into a new artistic language.
Through this ambitious trio of exhibitions, the Grand Rapids Art Museum offers an intersectional vision illustrating the human cost of the American criminal justice system and the creative lifelines built in its wake. Connecting Green’s two-decade archive of remembrance with the textiles of Tyler and Materson, these artists demonstrate how creative practices can deepen our understanding of the human experience.
GRAM gratefully acknowledges the following community partners for their collaboration during the exhibitions: Calvin Prison Initiative, The Delta Project, the Bellamy Creek Program of Grand Valley State University, and Treetops Collective.
Related Events:
Member Exhibition Opening
Friday, Oct 2, 7 – 10 p.m.
GRAM Member Event
7:30 pm Artist Talk: Gary Tyler and Ray Materson
GRAM Members and their guests are invited to celebrate the opening of GRAM’s fall exhibitions. Enjoy an early preview and artist talk with Gary Tyler and Ray Materson, along with hors d’oeuvres, music, a cash bar, and a drumming performance by Roots. And. Rhythm. Entertainment. (R.A.R.E.).
Discovery Day: My Story
Saturday, Nov. 7, 10 am – 3 pm
Free for members, included with museum admission
Inspired by the exhibitions Gary Tyler: Rebirth and Ray Materson: Metamorphosis, this Discovery Day invites guests of all ages to explore identity and personal story through hands-on activities across the museum.
Exhibition Support
Lead support is provided by the National Endowment for the Arts, with additional support provided by Wege Foundation, James and Mary Nelson, and GRAM Exhibition Society.
Support for the Michigan Artist Series is provided by Beusse & Porter Family Foundation and The Jury Foundation.
About the Grand Rapids Art Museum
Connecting people through art, creativity, and design. Established in the heart of downtown Grand Rapids, the Museum is internationally known for its distinguished design and status as the world’s first LEED® Gold certified art museum. Founded in 1910 as the Grand Rapids Art Association, GRAM has grown to include more than 6,700 works of art, including American and European 19th and 20th-century painting and sculpture and more than 3,000 works on paper. Embracing the city’s legacy as a leading center of design and manufacturing, GRAM has a growing collection in the area of design and modern craft. For more information, visit artmuseumgr.org.
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