Past Exhibitions

ArtPrize 2023 with Chapel of Ghouls

—

Everything Beautiful in its Time: Six Centuries of Prints from the Jansma Collection

—

Selections from the 2023 Festival of the Arts Regional Arts Exhibition

—

Ellsworth Kelly & Jack Youngerman: Surrounding Shapes

—

Message from Our Planet: Digital Art from the Thoma Collection

—

2023 Language Artists: Weather Wonders Student Exhibition

—

Julie Goldstein: Virtual Memory

—

Nocturnes: Night Scenes from GRAM’s Collection 

—

Object Oriented: Still Lifes from GRAM’s Collection

—

Art in Bloom

—

ACTion Art 2023

March 21 & 23, 2023

Françoise Gilot: Sympathetic Resonance

—

Presence: The Photography Collection of Judy Glickman Lauder

—

Make a Picture: A Selection of Michigan Photographers from GRAM’s Collection

—

Rethinking Monuments: American Sculpture in its Time, 1850 – 2000

—

Dark Days, Bright Skies: Isolation and Quarantine

—

Salvador Dali: The Twelve Tribes of Israel

—

The Jim Henson Exhibition: Imagination Unlimited

—

Andrea Dezsö: Family Friends

—

Living Artfully: Gifts from Dana Friis-Hansen and Mark Holzbach

—

Stephen Frykholm’s Picnic Posters

—

Talent Within: GRAM Volunteer Art Show

—

Impressionism, Expressionism, In Between and Beyond

—

Language Artists: Weather Wonders

—

In a New Light: American Impressionism 1870 – 1940 | Works from the Bank of America Collection

—

An Extraordinary Legacy: The Miner S. and Mary Ann Keeler Collection

—

WMCAT Teen Fashion Studio: Palettes Past

—

ACTion Art 2022: Perspectives

March 29 & 31, 2022

Carole Harris: Bright Moments

—

Dawoud Bey & Carrie Mae Weems: In Dialogue

—

Seen and Not Seen

—

This Land: American Landscapes from GRAM’s Collection

—

An Art of Changes: Jasper Johns Prints, 1960 – 2018

—

A Way to Make Pictures

—

ArtPrize 2021 at GRAM:
My Dearest Friends Project

—

An Interwoven Legacy: The Black Ash Basketry of Kelly Church and Cherish Parrish

—

Living Artfully: Jim and Mary Nelson

—

Living Artfully: Jon and MaryAnn McDonald

—

Selections from the 2021 Festival of the Arts Regional Arts Competition

—

A Summer Potluck: Stephen Frykholm’s Picnic Posters

—

Design Highlights from the Permanent Collection

—

ACTion Art: An exhibition by Artists Creating Together

—

American Perspectives: Stories from the American Folk Art Museum Collection

—

Placed/​Displaced: Works Exploring Home from GRAM’s Collection

—

Heroes: Now and Then

—

Hand and Machine in Harmony: Regional Arts & Crafts

—

Her Ideas, Her Stories: Women Artists from GRAM’s Collection

—

In Black and White

—

Mathias J. Alten: An Enduring Legacy

—

In Their Own Words

—

Useful Beauty: Design Highlights from the Permanent Collection

—

Beauty, Drama, and Nature: Ukiyo‑e Prints from GRAM’s Collection

—

A New State of Matter: Contemporary Glass

—

Looking (at•into•through) Glass

—

David Wiesner & The Art of Wordless Storytelling

—

Worth a Thousand Words: Storytelling with GRAM’s Collection

—

Relevant: Abstraction from GRAM’s Collection

—

Billy Mayer: The Shape of Things

—

Alexander Calder: Pour La Grande Vitesse and other Works on Paper

—

Melanie Daniel: Only Four Degrees

—

Maya Lin: Flow

—

Nicholas Krushenick: Iron Butterfly

—

Self, Symbol, Surrogate: Artist Portraits from GRAM’s Collection

—

A Decade at the Center: Recent Gifts and Acquisitions

—

A Legacy of Love: Selections from The Mabel Perkins Collection

—

Dylan Miner: Water is Sacred // Trees are Relatives

—

Alexis Rockman: The Great Lakes Cycle

—

Carl Wilson: Her Purse Smelled Like Juicy Fruit and Other Tales

—

Andy Warhol’s American Icons

—

Christian Marclay: Video Quartet

—

Black Waves: The Tattoo Art of Leo Zulueta

—

Michael Pfleghaar: Reinforcing Objecthood

—